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Calloway Fine Art & Consulting

  • New Arrivals
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    • Caroline Adams
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    • Rafael Soares
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    • Maud Taber-Thomas
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    • Malini Vira
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    • Graceann Warn
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    • Marjan Wouda
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Carlton Fletcher

IMG_5959.jpeg
Oval Still Life VIII (14x11)
$2,700.00
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Oval Still Life VII (16x13)
$2,800.00
Alley_(Venice_Florida)_Oil_Panel_9x18_2019_Carlton_Fletcher_CallowayFineArt_CFAC_Washington_DC_Georgetown.jpg
Venice, Florida (18x9)
$3,800.00
761.jpg
Pitcher (6.5x6)
$2,800.00
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Huidekoper Place (20x8)
$3,800.00
763.jpg
Oval Still Life II (12.25x9)
$2,300.00
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Oval Still Life I (12x9)
$2,300.00
764.jpg
Oval Still Life III (12x9)
$2,300.00
Anglers Dusk.jpg
Angler's (Dusk) (24x14)
$3,350.00
Sold
676Battery Kemble (1).jpg
Battery Kemble (9x12)
$3,000.00
Angler Cove.jpg
Angler Cove (23x7)
$3,400.00
704Bancroft Alley .jpg
Bancroft Alley (10x13)
$3,000.00
manor place674.jpg
Manor Place (22x7)
$3,200.00
Figure in Studio.jpg
Figure in Studio 1 (20.5x25.5)
$3,000.00
Angle Rocks.jpg
Angle Rocks (25.5x19.5)
$3,000.00
prnt.StreetScene.jpg
Street Scene (11x9)
$1,200.00
765.jpg
Pont de Rébénacq (14x10)
$3,100.00
Sold
727In Memoriamtif.jpg
In Memoriam (50x40)
$14,000.00
Sold
531Civic Life.jpg
Civic Life (50x40)
$14,000.00
Sold
Roman Forum.jpg
Roman Forum (40x30)
$8,500.00
Sold
Hayfield_(Helena_Montana)_Oil_Panel_8x20_2019_Carlton_Fletcher_CallowayFineArt_CFAC_Washington_DC_Georgetown.jpg
Hayfield (Helena, Montana) (20x8)
$3,500.00
Sold
507Still Life.jpg
Still Life With Charles (44x36)
$12,500.00
Sold
Front_Range_(Boulder_Colorado)_Oil_Panel_8x20_2019_Carlton_Fletcher_CallowayFineArt_CFAC_Washington_DC_Georgetown.jpg
Front Range (Boulder, Colorado) (26x14)
$3,850.00
Sold
768.jpg
Van Gogh’s Window, Saint-Rémy (14x10)
$3,400.00
Sold
701Warner Street.jpg
Warner Street (20x7)
$3,000.00
Sold
 

Carlton Fletcher received his degrees from the Rhode Island School of Design (BFA, 1972), and American University (MFA, 1982) where he studied under Robert D’Arista, and was one of the founding members of the Washington Studio School (1985). Since 1977 he has had solo shows at Wolfe Street Gallery, Georgetown Art Gallery, Hull Gallery, the Washington Studio School, and Jane Haslem Gallery. Group shows include: Washington Art from the 1940s through the 1980s, American University (2014); National Juried Exhibition, Gallery 84, New York (1996); 169th Annual Exhibition, National Academy of Design, New York (1994); New American Figure Painting, Contemporary Realist Gallery, San Francisco, and Clemson University (1992); Lennart Anderson Selects, First Street Gallery, New York (1990); The Human Figure in New Painting & Sculpture, New York Academy of Art (1990); and Prints: Washington, Phillips Collection, Washington (1988). His work was featured in the 2018 Katzen Center exhibition on Robert D’Arista, his professor during his time at American University.Carlton's paintings are in the permanent collections of American University, Georgetown University, Stanford University, and the DC Commission on Arts and Humanities. 

Artist Statement 

I have been fortunate enough to have painted in a variety of states and countries, and yet it still comes as a surprise to me that a successful outing is not really dependent on a picturesque locale. It’s true that there are many beautiful things to paint in Montana and in France, but that also turns out to be true for shores of the Potomac, and the streets of my neighborhood in Washington.

In the course of trying to find out how painting works I have sometimes concentrated on close observation; at other times I have tried my hand at a little invention. Although at any given moment I might have thought myself to be an exponent of one particular kind of painting, looking back I see that I have actually pursued quite a few kinds. What remains constant is that, what the painting wants to be, and the route it takes to get there, only comes to light while doing the work. Quite often I'm clueless, and it takes forever. Other times, it just seems to paint itself, and I’m only required to help the paint get from the palette to the canvas.

I was sixteen when I first saw some pictures of Vermeer's paintings in a magazine: it felt like a glimpse of a more lucid reality. Each subsequent discovery of yet another artist who played in that league was like the discovery of another world. One of the conclusions I drew from these encounters was that the history of drawing and painting, classical and contemporary, is a continuum, and that, in art at least, there is no meaningful separation from the past.

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