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  Last Days of Summer
artist: Karen Silve
title: Last Days of Summer
cost: 0.0
sold: Y
framed: Y
order: 1
active: N
medium: arcylic on canvas
type: painting


  Market Place II
artist: Karen Silve
title: Market Place II
cost: 0.0
sold: Y
framed: Y
order: 3
active: N
medium: acrylic on paper
type: painting


  Nature Composition III
K Silve
2012 acrylic on canvas
Art Size: 12 x 36
(C4151KS)


  Oasis III
K Silve
2012 acrylic on paper
Art Size: 20 x 26
SOLD (C4157KS)


  Sacred Place IV
K Silve
acrylic on canvas
Art Size: 58 x 68
Sold (C3947KS)


  Small Nature 14
K Silve
acrylic on canvas
Art Size: 8 x 8
SOLD (C4156KS)


  Small Nature 15
K Silve
acrylic on canvas
Art Size: 10 x 10
(C4153KS)


  Small Nature 16
K Silve
acrylic on canvas
Art Size:


  Small Nature 17
K Silve
2012 acrylic on canvas
Art Size: 8 x 8
(C4152KS)


  Small Nature 7
artist: Karen Silve
title: Small Nature 7
cost: 0.0
sold: Y
framed: Y
order: 19
active: N
medium: acrylic on canvas
type: painting


  Small Nature 8
K Silve
2012 acrylic on canvas
Art Size: 10 x 10
(C4152KS)


  Summer Pink
artist: K Silve
title: Summer Pink
cost: 0.0
sold: Y
framed: Y
order: 28
active: N
medium: arcylic on canvas
type: painting


  Verdant Narrative
artist: Karen Silve
title: Verdant Narrative
cost: 0.0
sold: Y
framed: N
order: 29
active: N
medium: acrylic on canvas
type: painting


David FeBland: Stories Red And Blue
March 23 - April 21, 2018 David FeBland’s work considers issues of privacy, conflict and isolation in contemporary urban life, employing a colorist’s eye and a strong sense of formal compositional structure. He describes the interaction between man and our physical universe through a series of invented truths, a sleight of the facts as it were, inspired by observations. His paintings, drawing upon experiences over a wide range of geographical locations, are driven by a conviction that certain behavioral responses to ones environment are universal. Critic Brett McCabe described his paintings as such: “These images are disarmingly involving. His ability to instill strongly emotive elements into his work also hints at the more graphic work of Ben Shahn and Diego Rivera. It suggests an evolution of socially conscious realism that both Ashcan artists and Shahn flirted with, a very modern response to the Soviet socialist movement that embraces its more expressive elements…. {this is} a quality that gives the movies of Spike Lee their poignancy, and it’s a spirit that FeBland’s works achieve better than his contemporaries.” In FeBland’s words, “I’m not particularly interested in making references to popular culture in my work because so much of what we commonly associate with that culture is itself distilled through some medium, originally television but now so many other forms of social media, rather than from direct observation. By creating paintings that derive from my own experience, I become the medium rather than a response to it.”. This is David FeBland's first show at Susan Calloway Fine Arts
 
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